The latest drop of QuickBook Adverts has arrived. Acme was tasked with creating a number of different props for a diverse range of work related sets. This series of adverts required over 500 individual prints, including a graphically saturated tattoo shop. The need for neon art visuals has proved a popular request this year, this visual was inspired by Tracey Emin.
The Dog Parlour required original, copyright free Artwork that had a very specific colour palette. The Pop Art inspired prints used for QuickBooks are part of our own diverse library of artwork.
On Saturday our latest crop of graphic props were showcased on ‘Inside No.9’s’ live Halloween special. The award winning series famed for it’s dark humour, produced a unique episode full of surprising twists and thrills.
The episode begins with Pemberton’s character returning home to Flat No.9. A number of Acme props and graphics were used in this sequence including all of the food packaging. Bread packaging is often a prop that art directors are wary of using; however we have mastered the art of creating a realistic prop that would not look out of place at your local supermarket.
Along with all the food packaging we made a number of signs; everything from the brushed aluminium signage, to the large vinyl lettering.
The change in weather has provided us with the perfect excuse to sit back, stay inside and watch all of the recent TV series that we have worked on. One of our latest TV series The Innocents centres around around two love stuck teenagers Harry and June, so – unsurprisingly – popular social media apps are pivotal within the plot. We don’t want to give too much away, however episode fours cliffhanger ending features the use of a phone and computer sequence designed by Acme Graphics.
Shared View is a bespoke, interactive animated sequence inspired by YouTube designed in house by our team of graphic designers. We created all the fundamentals from scratch, everything from the logo to the avatars. The animated sequence is based on the detailed action from the script and timed so that it is easy for the actors to use, communicating via the ‘youtube’ style social media app on smart phone and desktop computer platforms.
We have been eagerly anticipating the arrival of Netflix’s brand new supernatural thriller The Innocents, which follows the story of teenage lovers Harry (Percelle Ascott) and June (Sorcha Groundsell) who run away from their repressive families to live together, only to find themselves navigating a strange and dangerous new world. Despite the Innocents being a supernatural drama, Acme was tasked with making prop graphics that were relatable in today’s world.
Among the long list of graphics props made for The Innocents were the animated sequences. A notable one shown in episode two is the online poker game, we created everything from characters to the interface and interactive animated elements.
It’s been a busy month here at Acme, amid the graphic prop requests we have been making animated computer sequences for film and TV. Having specialised in creating bespoke animations for mobiles, tablets and computers for many years, we have found ourselves creating them for a diverse range of productions.
We worked on the BBC’s adaptation of Zadie Smith’s acclaimed novel NW. NW tells the heart-breaking story of Natalie and Leah’s friendship and the different directions their lives have taken. Acme was tasked with creating all of the computer and tablet animations used by the actors, including a Facebook inspired screen graphic.
This animation was created as an interactive animated sequence that required us to design everything from the logo and tools to the interface. Simulating such a well-known program as Facebook is a balancing act between creating something that is instantly relatable and that does not infringe any copyright laws. A program such as Facebook would usually take a significant time to design, however working within this industry requires us to work within a tight timeframe, within budget whilst creating a program that is both believable and accessible.
Behind the scenes of every newsagent set are the countless graphic props. Acme was recently enlisted to recreate a variety of props used in the latest Eve Mattresses commercial. This devious commercial – directed by Madcow’s Greg Bray – tells the story of a couple who dupe an elderly women out of her lottery winnings, the tagline being; ‘How do they sleep at night?’.
The walls behind the shop owner are lined with over 100 magazines, designed, printed and mounted by Acme. Our extensive library of original Acme designed graphics allows us to easily create an authentic aesthetic for even the most graphically saturated sets.
We are often asked to create graphic visuals for agencies, bringing life to their creative concepts. Our latest work was for Oreo, we were briefed to recreate different Oreo packets with icing. Our visuals provided a creative template that was then recreated with real icing for the final shot in the advert.
We created a number of fun designs for different flavours, experimenting with techniques to mimic different styles of icing. This month, Oreo released the first in the series, the final shot being based on our ‘Birthday cake’ graphics.
We work on a diverse range of jobs here at Acme; anything from a vintage prop cigarette case for a period drama to a crest for an international campaign. Our recent graphic props for the latest Urban Myths episode – aired on Sky Arts – has to be one of our favourites. ‘Urban Myths: Sex Pistols vs. Bill Grandy’ tells the reimagined story behind The Sex Pistols’ infamous appearance on Bill Grundy’s show in 1976.
We recreated a variety of graphics, one being the 3D patterned flats seen in the studio background of the notorious interview. We created the vector graphics that were then used by a CNC router, this created an almost identical replica of the original. In addition to creating signage and logo’s we also recreated posters and newspapers using original archived imagery.
Another day, another advert aired featuring Acme artwork. This time, Acme was asked to make a number of different props for the latest round of HSBC commercials, including some hero props. HSBC’s latest commercials are fronted by Comedian Richard Ayoade, who lends his classic dry humour to the world of banking.
Some of the hero props requested included an array of bank cards, these were a combination of specifically designed cards for HSBC and pre-existing cards taken from Acme’s extensive library of artwork. With over 20 years of experience in Film and TV, Acme have accumulated a vast library of artwork ready and waiting for any of your productions needs.
Acme Graphics are pleased to introduce you to our latest piece of kit, the Graphtec Cutting Plotter. Traditional Vinyl cutters are only able to cut one vinyl colour, however our new Graphtec cutter is able to cut complex and full coloured designs.